| Patch Name | Description | Submitted By | COMP | DIST | GAIN | ZNR | EQ | MOD | DEL | LEV | Notes | Date |
| Just Do It! | Killer modern crunch. Fear Factory???? | Steve Hughes mailto:hughessj@aston.ac.uk | P9 | Mt | 30 | 9 | 50 | c2 | H2 | LOUD |
This doesn't have that bass-drenched sound you get with most hi-gain patches, thanks to the wah-pedal setting which filters it out. Use a standard mid-scooped setup on your amp and then bring up the hi-mids a bit. Then tune | Jan 21, 1998 |
| Pantera: Vdop era. | dime bags Vdof sound | curt s. | L8 | Mt | 30 | A1 | 50 | - - | R5 | 25 | Turn down the mid, pump up the bass & treble | Jan 18, 1998 |
| Clean Pantera | clean pantera | Nirvana94@mailexcite.com | c1 | of | - - | 2 | 36 | c3 | d6 | 28 | pretty close to Pantera's clean sound use ur trem pickup | Jan 16, 1998 |
| Sweet Solo | cool little solo patch | Shoes | c8 | od | 30 | 5 | 43 | c1 | d5 | 25 | this is a really good solo patch, sounds good run through my peavey amp, mail me tell me what u think Shoess6@aol.com | Jan 16, 1998 |
| Sweet Solo | cool little solo patch | Shoes | c8 | od | 30 | 5 | 43 | c1 | d5 | 25 | this is a really good solo patch, sounds good run through my peavey amp, mail me tell me what u think Shoess6@aol.com | Jan 16, 1998 |
| Sweet Solo 3 | solo | Shoes | c1 | de | 30 | 9 | p1 | of | d9 | 22 | this is a cool solo patch for really fast solos with alot of bends mail me tel me what u think Shoess6@aol.com | Jan 16, 1998 |
| Sweet Solo2 | another cool little solo | Shoes | c2 | de | 30 | of | 22 | of | h4 | 23 | email me tell me whatn u think Shoess6@aol.com | Jan 16, 1998 |
| Sweet Solo2 | another cool little solo | Shoes | c2 | de | 30 | of | 22 | of | h4 | 23 | email me tell me whatn u think Shoess6@aol.com | Jan 16, 1998 |
| rhythm ala scot | rhythm distort | scot aka URwhatUis@aol.com | L9 | RY | 26 | A8 | 45 | D1 | H3 | 25 | Cool little rhythm patch that evolved from a lead patch. let me know what you think via e-mail | Jan 15, 1998 |
| sweet lead | lead distortion | scot aka URwhatUis@aol.com | L9 | DT | 26 | A9 | 45 | C1 | H3 | 25 | I use this for my own stuff. sounds alot like peavey solid state distortion with a little twist. e-mail me with comments | Jan 15, 1998 |
| METAL BLASTER | ALLOWS A DEEP METALLIC SOUND. | JOSHUA KINNEY | L4-6 | NE | -0- | AMP 9 | 44 | Do 1 | D1 | 29 | THIS EFFECT IS GREAT FOR PLAYING THINGS SUCH AS KORN, PANTERA, METALLICA. I SET MY 505 THE WAY I LIKE IT TO SOND SO YOU MIGHT WANT TO MESS WITH IT TO MEET YOUR STANDARDS. | Jan 14, 1998 |
| Distorted Bass | other/special | Jeff VanderEspt (JEFFERY@AYE.NET) | C2 | MT | 30 | 9 | 10 | P1 | H1 | 28 | very cool patch. heavy distortion. i use it for the intro to tool's "h" might produce a slight ringing. | Jan 12, 1998 |
| Silverchair Clean Phase | "Abuse Me" - Clean Phase | jezzad@fastlink.com.au | C6 | Ac | 15 | A9 | P4 | C2 | r9 | 28 | Middle or Lead Pick-up | Jan 11, 1998 |
| Silverchair Distortion | "Abuse Me" - Distortion | Jeremy Dawes - jezzad@fastlink.com.au | C2 | Bl | 15 | 3 | 27 | C2 | r1 | 23 | Middle or Lead Pick-up | Jan 11, 1998 |
| Organ | Other / Special | Dave Suchy dave.suchy@state.mn.us | C9 | rY | 30 | oF | P7 | P9 | H8 | 29 | Great "church organ" sound. Single strings ring heavy, as do chords on higher strings. Some lower string chords may be muddy (adjust EQ). | Jan 08, 1998 |
| Thrash'n Metal | Really heavy metal distortion. | ZeroXII@aol.com | C9 | Mt | 30 | 5 | 25 | oF | H9 | 30 | This is really good for when you just want to crank up the volume and have some fun. | Jan 06, 1998 |
| distortion | solo/rythym | IroN_BirD | L1 | Mt | 30 | A3 | 50 | C2 | oF | 30 | great for pantera but goes great with just about anything!!! Giv it a try. Send some replies alanc@mail.dmn.com | Jan 05, 1998 |
| E.V.H. | EARLY E.V.H. | MARK | C4 | BL | 30 | 3 | 0FF | 0FF | H3 | 30 | TURN OFF E.Q.SETTINGS AND USE THE AMP E.Q. THAT WILL BRING OUT THE SINGLE NOTES & HARMONICS ALOT BETTER FOR EVERYTHING UP TO "1984" | Jan 05, 1998 |
| Randy Rhoads | Randy RHoads(live-tribute) | MARK | c2 | bl | 30 | 1 | 48 | 0ff | h7 | 28 | sounds best if my amp is set at low-10 mids-2 highs 10.best i can do.Exept for fly'in high-turn doubler up to d3 because most his guitars were triple tracked in the studio;thats why it sounds so full& heavy | Jan 05, 1998 |
| Bright Acoustic | Bright Acoustic / 12 string Simulator | Archer117@erols.com | C4 | Ac | 27 | 9 | 12 | C2 | D1 | 29 | This is a bright acoustic simulator which I use for songs like Bon Jovi's "Wanted Dead or Alive" intro, or "Hotel California." It might be a little trebly depending on your setup. | Jan 04, 1998 |
| Laser Beam | solo | Duncan Victor "El Cid" | A9 | Mt | 25 | A4 | P1 | P7 | d2 | 24 | Great for techno solo stuff | Jan 04, 1998 |
| Heartbreaker Solo | Solo | stote | oF | Od | 21 | A1 | oF | oF | r3 | -- | close to the patch i use for the rest of Heartbreaker, but sounds a little closer to the solo part. Again, it's not exact, but it has the right feel. | Dec 31, 1997 |
| Led Zeppelin BBC Sessions | Jimmy's Lead tone from the 1st BBC disc | No Quarter no_quarter@hotmail.com | p9 | fu | 24 | of | 42 | of | h1 | - - | Good for most songs on the first disc of the Led Zeppeloin BBC sesssions, kinda makes a humbucker guitar sound like the tele jimmy page was using. Nice Thick Fuzz | Dec 31, 1997 |
| Monster Rhythm | Rhythm | GarySENG@AOL.com | of | LD | 30 | 9 | 29 | f2 | h7 | 23 | This is a ballsy "70's metal" sound, with big sustain and slight flange effect. Good for Sabbath rhythm. E-mail me with your input. | Dec 31, 1997 |
| NEW METALLICA | SOUNDS LIKE THE MEMORY REMAINS | KIRK HAMMET | L8 | LD | 30 | A9 | 50 | D3 | R2 | 25 | GOOD FOR NEW METALLICA STUFF, GOOD FOR THE MEMORY REMAINS! | Dec 31, 1997 |
| Punk Distortion | Powerful distortion with little crunch | jason kendall( flydo@earhtlink.net ) | L4 | ry | 30 | A1 | 42 | of | of | 24 | Great Punk distotion with very little crunch to detract from the sound. Sounds best if you keep the bass high and the treble low on your amp. | Dec 31, 1997 |
| 70's Overdriven Tone | Zeppelin Style. Overdrive & Tube Amp sim | stote | oF | Od | 29 | A1 | oF | oF | r2 | -- | Fat, overdriven, tube amp sound. I use the bridge pickup on my Les Paul. Mostly used on Zeppelin songs "Heartbreaker," "Communication Breakdown," & "Immigrant Song," but usefull for lots of classic hard rock stuff. | Dec 30, 1997 |
| Mild Chorus | rhythm | stote | oF | rY | 15 | A1 | oF | C1 | oF | -- | simple rhythm. I use it for the Stones "Rocks Off" among other things | Dec 30, 1997 |
| tweaked acoustic | acoustic / rhythm | stote | L5 | Ac | 20 | 6 | 50 | oF | oF | -- | I forget how much different this is from the factory acoustic simulator, but it's not exactly the same. much better, in my oppinion, but, of course, i'm biased. | Dec 30, 1997 |
| BIG Solo | Solo | X Oblio X@aol.com | C9 | Ld | 15 | 5 | 14 | d3 | H5 | 27 | This is a solo distortion that is nice and smooth...also, it sounds very big due to the doubling and reverb. It sounds comparable to Vai's tone on G3. | Dec 29, 1997 |
| Power Ballad | Solo | Dave Chown | L2 | dt | 24 | 5 | 20 | F2 | d8 | 20-25 | Chorus instead of flanger works well to | Dec 28, 1997 |