Patch Name
|
Description
|
Submitted By
|
COMP
|
DIST
|
GAIN
|
ZNR
|
EQ
|
MOD
|
DEL
|
LEV
|
Notes
|
Date
|
Light Chorus
|
Solo
|
Dave Brown
|
-
|
Ld
|
26
|
5
|
-
|
C2
|
-
|
20
|
|
Jun 20, 1997
|
M COP
|
Other/Special
|
Jay Gilliam
|
-
|
DT
|
29
|
A5
|
-
|
C4
|
D7
|
3
|
|
Jun 20, 1997
|
Metal
|
Solo
|
Jay
|
C1
|
MT
|
20
|
3
|
17
|
C1
|
H1
|
20
|
Bit of chorus, metal tone.
|
Jun 20, 1997
|
Metallica
|
Solo
|
Emrek (in Turkey!)
|
L9
|
LD
|
23
|
-
|
6
|
-
|
R6
|
21
|
Seek and Destroy
|
Jun 20, 1997
|
Metallica
|
Solo
|
Emrek (in Turkey!)
|
L9
|
LD
|
23
|
A9
|
6
|
-
|
R6
|
21
|
Fade to Black
|
Jun 20, 1997
|
Moth Distortion
|
Other/Special
|
Mark Childs
|
A3
|
AC
|
28
|
Off
|
Off
|
p6
|
D8
|
20
|
Screeching Moth Distortion. Extremely bright.
|
Jun 20, 1997
|
Nirvana
|
Solo
|
Brian Fuerstenberg
|
L6
|
-
|
-
|
6
|
40
|
C5
|
-
|
25
|
Sounds like Come As You Are begining
|
Jun 20, 1997
|
Phase Shifted
|
Solo
|
Mark Childs
|
L7
|
Off
|
-
|
1
|
p4
|
F1/P1
|
D2
|
20
|
Phase shifted. Used mainly for solos.
|
Jun 20, 1997
|
Pixies Harsh Lead
|
Solo
|
Mark Childs
|
l6
|
od
|
8
|
6
|
40
|
C6
|
Off
|
20
|
Resembles "Caribou"
|
Jun 20, 1997
|
Satriani (Forgotten Part II)
|
Other/Special
|
Jay Gilliam
|
-
|
MT
|
26
|
6
|
45
|
-
|
D8
|
26
|
|
Jun 20, 1997
|
Scorpions
|
Clean
|
Emrek (in Turkey!)
|
C3
|
Of
|
-
|
9
|
27
|
F9
|
H6
|
29
|
Winds of Change
|
Jun 20, 1997
|
Screaming Wah - Really sounds cool.
|
Other/Special
|
Bobby - briggs@wccom.com
|
A2
|
Ld
|
22
|
5
|
24
|
C3
|
H1
|
23
|
I dont remember weather i made this on or not. turn down amp
|
Jun 20, 1997
|
Semi Acoustic
|
Clean
|
Mark Childs
|
Off
|
AC
|
28
|
Off
|
29
|
D7
|
H2
|
20
|
|
Jun 20, 1997
|
Smashing Pumpkins
|
Solo
|
Ewing
|
-
|
-
|
-
|
-
|
P9
|
F6
|
R9
|
21
|
Turn up the bass on your amp
|
Jun 20, 1997
|
The Edge
|
Solo
|
Glenn
|
C4
|
BL
|
26
|
A8
|
23
|
C2
|
-
|
20
|
Staring at the Sun
|
Jun 20, 1997
|
understandable death metal
|
Other/Special
|
Jason Parrish of the band angry samoens
|
off
|
Dt
|
21
|
0ff
|
0ff
|
c2
|
0ff
|
30
|
ideal for molodic death metal
|
Jun 20, 1997
|
wah wah
|
Solo
|
Jason Parrish of the band angry samoens
|
A9
|
Fu
|
30
|
0ff
|
0ff
|
0ff
|
0ff
|
30
|
very good for lightning shredding
|
Jun 20, 1997
|
Wide N Creamy
|
Solo
|
Jay Gilliam
|
L1
|
Dt
|
29
|
7
|
25
|
P7
|
D8
|
22
|
|
Jun 20, 1997
|
Clean Delay
|
Clean
|
Stock Patch
|
L6
|
Off
|
-
|
6
|
22
|
P4
|
d7
|
25
|
Clean sound with feeback delay
|
Jun 19, 1997
|
Clean Snap-verb
|
Clean
|
jrblake1@ix.netcom.com
|
C9
|
of
|
-
|
9
|
of
|
of
|
H4
|
27
|
|
Jun 19, 1997
|
fuzz gargle
|
Other/Special
|
Bernd
|
P9
|
Fu
|
18
|
5
|
25
|
of
|
r5
|
20
|
'still looking for tube sounds!
|
Jun 19, 1997
|
Purple Smoke
|
Solo
|
jrblake1@ix.netcom.com
|
C9
|
Ld
|
5
|
A6
|
P1
|
F7
|
d5
|
27
|
Jimi Hendrix -esque
|
Jun 19, 1997
|
Terje Rypdal
|
Solo
|
jrblake1@ix.netcom.com
|
C1
|
Od
|
30
|
34
|
20
|
C2
|
H7
|
22
|
Use neck pickup
|
Jun 19, 1997
|
Trower Power
|
Solo
|
jrblake1@ix.netcom.com
|
L9
|
Ld
|
30
|
7
|
24
|
F2
|
d1
|
22
|
|
Jun 19, 1997
|
Super Dist Solo
|
Solo
|
Stock Patch
|
L1
|
Ld
|
26
|
7
|
24
|
Off
|
H3
|
24
|
Stock Patch
|
Jan 01, 1997
|
WIDE-no distortion
|
Solo
|
echolsf@ibm.net
|
L9
|
oF
|
--
|
9
|
oF
|
C9
|
H9
|
24
|
A REAL big room effect.
|
Jan 01, 1997
|