| Patch Name
|
Description
|
Submitted By
|
COMP
|
DIST
|
GAIN
|
ZNR
|
EQ
|
MOD
|
DEL
|
LEV
|
Notes
|
Date
|
VOTE!
|
|
SepulturA Distortion
|
|
curt smythe
|
c1
|
mt
|
30
|
9
|
41
|
|
r2
|
25
|
roots bloody roots
|
May 20, 1998
|
Vote for 361
|
|
Eddie Van Halen, VH Period
|
Rhythm/Some solos
|
Mike
|
OFF
|
Dt
|
30
|
A1
|
6
|
NONE
|
H5
|
17
|
Bass all the way up, Mid 1/3 up, High 1/4 up on amp. For Eruption, try putting REV all the way up to H9, and fiddle with the EQ on your amp and Zoom for the right tone.
|
May 16, 1998
|
Vote for 354
|
|
Seasons in the abyss (dist)
|
main dist
|
Curt S.
|
C2
|
Mt
|
30
|
9
|
7
|
|
r5
|
25
|
Scoop them mids.
|
May 16, 1998
|
Vote for 356
|
|
Seasons in the abyss (Solo part)
|
Both solos
|
Curt S.
|
A6
|
Ld
|
30
|
A1
|
50
|
C3
|
H1
|
25
|
Scoop them mids.
|
May 16, 1998
|
Vote for 358
|
|
Seasons in the abyss (the clean part)
|
that clean part
|
Curt S.
|
|
|
|
A1
|
7
|
C3
|
H3
|
25
|
Scoop them mids.
|
May 16, 1998
|
Vote for 357
|
|
Boosted Tube Screamer
|
Brian May
|
Me
|
C9
|
Od
|
15
|
A9
|
33
|
of
|
R4
|
21
|
This is basically the Tube Screamer patch with the eq turned up to give it more of a bright boosted sound like Brian May. You can get a clean counterpart by dropping the gain down to 1, boost the gain to 25 for solos. The pitch shifter could be used to replicate May's layered effect, and a seperate delay petal is optimal.
|
May 15, 1998
|
Vote for 350
|
|
Bright Distortion
|
Rhythm
|
Me
|
L7
|
ry
|
19
|
9
|
38
|
of
|
H6
|
24
|
For every clean sound I have, I always try to have a distorted counterpart right by it, this goes along with my Brightness patch submitted earlier.
|
May 15, 1998
|
Vote for 349
|
|
Clean "Freak" Chorus
|
Silverchair
|
Dawesy
|
|
Ry
|
4
|
1
|
36
|
C2
|
H2
|
26^
|
|
May 15, 1998
|
Vote for 353
|
|
Silverchair Dirt
|
Mid-High Range Metal
|
Dawesy jezzad@fastlink.com.au
|
L4
|
MT
|
23
|
A6
|
35
|
C2
|
-
|
21^
|
Treble Pickup - Good for Freak & Slave
|
May 15, 1998
|
Vote for 351
|
|
Van Halen
|
aint talkin' bout love
|
PAB5150@aol.com
|
C7
|
Mt
|
30
|
4
|
of
|
F7
|
d4
|
25
|
Flanger/Delay Sound for the intro. Use bridge humbucker. If your amp has an EQ, cut the mid and boost the bass and treble
|
May 12, 1998
|
Vote for 348
|
|
Good Old Sabbath
|
Black sabbath (master of reality
|
curt s.
|
c1
|
fu
|
25
|
a2
|
25
|
|
|
25
|
set the mid around 3, the treble around 2, and the bass at 5.
|
May 11, 1998
|
Vote for 347
|
|
Good Old Sabbath
|
Black sabbath (master of reality
|
ozzy
|
c1
|
fu
|
25
|
a2
|
25
|
|
|
25
|
set the mid around 3, the treble around 2, and the bass at 5.
|
May 11, 1998
|
Vote for 346
|
|
Ambetic
|
Heavy Ambience
|
Me
|
A9
|
Fu
|
30
|
A9
|
P4
|
54
|
D9
|
21
|
With the exception of an ambient feel, this sound is pretty much useless, but it still sounds real cool. The arpeggio could be changed to your liking, but I think 54 works off the delay perfectly.
|
May 08, 1998
|
Vote for 345
|
|
Brightness
|
clean with a bit of flavor
|
Me
|
L1
|
Ac
|
30
|
9
|
38
|
P4
|
H6
|
27
|
As 95% of the time I play through my headphones (which is where I think the 505 sounds best), it's very rare I don't use the amp simulator...This is one of those cases. The tone changes quit a bit between pick-ups, feel free to choose your favorite. Despite the pitch shift, this is a good rhythm sound.
|
May 08, 1998
|
Vote for 344
|
|
Phase Guitar
|
Queen: Keep Yourself Alive
|
Me
|
C7
|
Mt
|
21
|
A9
|
P2
|
off
|
D8
|
24
|
This is very similar to Brian May's earlier guitar sound, particularly, Keep Yourself Alive. Though I think he uses two delays instead of one, it's very close. It also sounds good with Od and Fz
|
May 07, 1998
|
Vote for 343
|
|
Candle Box Rythme
|
Chorus
|
Steven
|
L3
|
of
|
--
|
A9
|
17
|
C4
|
H4
|
27
|
Good with 2 pickups selected and mid tone on guitar. Tone up and pick the bridge p-u for Under the Bridge.
|
May 06, 1998
|
Vote for 340
|
|
EVH dIsToRtIoN
|
EDDIE VAN HALEN DISTORTION
|
VanillaBOBs
|
C2
|
Dt
|
30
|
4
|
16
|
C2
|
D4
|
25
|
Yupp.da exact one.
|
May 06, 1998
|
Vote for 337
|
|
Nirvana Dist
|
Hard distortion louder than hell
|
LarsMC16@Yahoo.com
|
L9
|
dt
|
15
|
6
|
30
|
of
|
r9
|
30
|
This is very loud and very cool to play anything hard. Sounds great on Smells like teen spirit
|
May 06, 1998
|
Vote for 338
|
|
Turbine
|
Wild, Untamed Lead
|
Steven
|
Ped8
|
Bl
|
22
|
A9
|
P1
|
of
|
r4
|
24
|
Good for and pickup postion. I like it with the bridge p-u though. Used with a Fender Performer 1000 and an ESP LTD.
|
May 06, 1998
|
Vote for 339
|
|
Lithium Blues
|
distorted blues
|
LarsMC16@Yahoo.com
|
L1
|
BL
|
10
|
6
|
30
|
of
|
r9
|
30
|
I use this to play a lot of nirvana and my own music.
|
May 05, 1998
|
Vote for 336
|
|
Hendrix Fuzz
|
Really good!!!
|
Andy
|
Of
|
Fu
|
27
|
5
|
42
|
C2
|
H5
|
25
|
Really sounds good when played through a Strat and Marshall. exp. with the bass sounds! Have fun!!!
|
May 02, 1998
|
Vote for 335
|
|
Kickassbitchstaintharepy!
|
Therapy! Good for screamager!!!!
|
Steve
|
L7
|
dt
|
25
|
A9
|
24
|
d5
|
off
|
25-30
|
|
May 02, 1998
|
Vote for 334
|
|
Low mans lyric
|
sounds like metallica's song
|
Jon
|
L9
|
of
|
--
|
6
|
p9
|
c9
|
r9
|
25
|
This sounds like the song but isn't exactly right, if anyone makes it better, E-mail me.
|
Apr 29, 1998
|
Vote for 333
|
|
Jimmy Page
|
my most recent attempt at that early zeppelin tone
|
stote (stote@yahoo.com)
|
C3
|
Ld
|
24
|
oF
|
28
|
oF
|
oF
|
19
|
it's not perfect, but close. still, it's a good all around distortion. better than the overdrive channel on my amp. the tone changed a lot as i fiddled with the trebel and bass settings, so to be as specific as i can beyond the 505 setting, it's best using the bridge PU on my epi LP, through a fender Priceton 112 plus. clean channel, trebel 7(2 o'clock), bass 5 (12 o'clock), reverb 2(9 o'clock). e-mail me with feedback/suggestions.
|
Apr 27, 1998
|
Vote for 328
|
|
Marilyn Manson
|
good dist for sweet dreams
|
james
|
C9
|
DE
|
26
|
A6
|
41
|
C1
|
H2
|
any
|
good for all songs on portrait and smells like children also for the Wah part switch comp to A7 (if you dont have a pedal wah)
|
Apr 27, 1998
|
Vote for 332
|
|
smoke's blackmoore water
|
smoke on the water's solo
|
Aleksej/Brasil - email: Bill@digi.com.br
|
C9
|
Od
|
14
|
9
|
40
|
OFF
|
H5
|
27
|
Sounds like smoke on the water's solo by Ritchie Blackmoore.
|
Apr 27, 1998
|
Vote for 329
|
|
solo for teen spirit
|
hard dist with flanger
|
james
|
C9
|
LD
|
24
|
----
|
41
|
F1
|
H3
|
any
|
sounds close to teen spirit solo
|
Apr 27, 1998
|
Vote for 331
|
|
teen spirit dist
|
hardcore dist that sounds just like the song also great for other nirvana songs
|
james
|
C9
|
LD
|
25
|
A9
|
25
|
C1
|
R9
|
any
|
change delay to your liking leave tone knobs on amp at 12:00 or to sound more like kurt turn the mid up just a little
|
Apr 27, 1998
|
Vote for 330
|
|
thunder
|
acdc thunderstruck intro
|
bart@mygale.org
|
c4
|
mt
|
30
|
9
|
30
|
c2
|
h3
|
30
|
play the intro only whith the left hand (it constists on pull off and hammer on the b string) put two fingers of the right hand to block the g and e strings to avoid wrong notes
|
Apr 27, 1998
|
Vote for 327
|
|
Mind stealing delay
|
nasty delay sound
|
kissfan@discoverynet.com
|
L7
|
Ld
|
28
|
5
|
24
|
Off
|
D7
|
25
|
This is what I use on "Operation Mindcrime." Let the telephone ring and then let this sound do the rest! (Maybe not an exact copy, but IT ROCKS!)
|
Apr 25, 1998
|
Vote for 326
|
|
cool wah
|
good for metallica and alice in chains
|
jsal91@hotmail.com
|
p7
|
mt
|
26
|
9
|
43
|
c1
|
off
|
any
|
you need a volume pedal on the thing to do manual wah's get one fast if you dont have one
|
Apr 23, 1998
|
Vote for 322
|