| Patch Name | Description | Submitted By | COMP | DIST | GAIN | ZNR | EQ | MOD | DEL | LEV | Notes | Date |
| Slap-back Delay | Other/Special | god@whoever.com | L4 | off | - | 22 | 36 | D6 | d6 | 23 | Jul 09, 1997 | |
| "Beathing" Distortion | Rhythm | EzyRider99@aol.com | C4 | ry | 26 | A9 | P1 | F3 | H6 | 24 | I love using this for Pink Floyd's Astronimy Domine. You can use any paticular Reverb.. whatever you like the most. | Jul 08, 1997 |
| Camel | Solo | Tom Mack | C3 | dt | 15 | of | 10 | of | d2 | 24 | I use this one for Eric Johnson's "Camel's night out". Not as silky as Eric's but pretty close. | Jul 08, 1997 |
| Candlebox Chorus | Rhythm | Tom Mack | C2 | of | -- | A1 | 15 | C5 | H5 | 25 | Chorus/reverb I use for the verses of candlebox's song "Far Behind". | Jul 08, 1997 |
| Nirvana Live | Other/Special | bluefish | C5 | Dt | 30 | oF | 25 | d9 | H9 | 26 | Loud part of songs-noisy | Jul 06, 1997 |
| Physcadelicca | Solo | Bluefish | C9 | Dt | 30 | A1 | P5 | F7 | D7 | 28 | Groovy | Jul 06, 1997 |
| super metalic | Other/Special | jmr technologies | c4 | metal | 27 | 7 | 49 | c3 | h3 | ext | Jul 06, 1997 | |
| Peach Fuzzz | Solo | subverse | C8 | Fuzz | 26 | A9 | 26 | Of | opt | 24 | A polished fuzz not quite gritty, hence the name | Jul 03, 1997 |
| Polly Phonic | Other/Special | subverse | C7 | - | - | - | P7 | P9 | H9 | 22-30 | Sound Like a 70's synth that producers would use for Sci Fi Flicks!!! subverse@hotmail.com | Jul 03, 1997 |
| Guns N' Roses/Aerosmith | Rhythm | Chris "Hippie" Cymbaluk | 1 | Dist. | 28/29 | 9 | 24 | H1 | 25 | I use this effect on a Strat using the bridge and center pickup | Jul 02, 1997 | |
| Distorted Chorus | Other/Special | matt mara@tiac.net | of | blues | 27 | 7 | of | c3 | r3 | 26 | sounds really cool for playing Nirvana stuff also it sounds good without distortion, but not for nirvana stuff | Jul 01, 1997 |
| EvH - "Ain't Talkin' Bout Love" Phased | Solo | mike | c4 | BL | 25 | 3 | p4 | f1 | d7 | 28 | Jul 01, 1997 | |
| loud distortion | Solo | C1 | NE | 30 | 1 | 50 | of | of | 26 | this sounds pretty good on my 160 watt peavey but I dont know about smaller amps contact me at gasm@rocketmail.com if you have any comments | Jul 01, 1997 | |
| EVH (tweaked) | Solo | Glenn glenn@onecall.com.au | c2 | DT | 30 | 4 | 16 | C2 | D4 | 17 | Basically a tweak of Jays' Eddie Van Halen with less chorus and a bit of Delay | Jun 30, 1997 |
| Shine On | Solo | Mark Benton | C5 | Od | 4 | A2 | 43 | C2 | H3 | 25 | David Gilmour as heard on "Shine On you Crazy Diamond" intro. | Jun 27, 1997 |
| Shine On (Riff) | Solo | Mark Benton | C5 | Od | 6 | A2 | 43 | C2 | D3 | 25 | David Gilmour as heard on "Shine On you Crazy Diamond" main riff. | Jun 27, 1997 |
| Wah | Solo | arkham@pacbell.net | P9 | 0d | 30 | oF | 41 | oF | d7 | 20 | You can use this one with or without the delay both sound cool. Also a bit of chorus seems to work. | Jun 27, 1997 |
| Whiskey in the Jar | Solo | Mark Benton | C4 | Ld | 15 | 6 | 23 | D5 | D3 | 22 | Thin Lizzy | Jun 27, 1997 |
| Deep Blue | Solo | Mike (todooer33@aol.com) | C4 | Ld | 21 | A8 | 26 | C3 | H9 | 23 |
I wanted a tone like Gary Moore's "Still Got The Blues" sound ( Great Site Thanks Mike ) | Jun 23, 1997 |
| Smashing Pumpkins - Love | Other/Special | gav@rocketmail.com | C9 | FU | 19 | A9 | 9 | F2 | H2 | 23 | As heard on the Mellon Collie song "love" | Jun 23, 1997 |
| Acoustic | Solo | Filesds@aol.com | C1 | Off | - | 4 | 25 | C2 | - | 24 | Used to make Electric Violin sound like a real one | Jun 20, 1997 |
| Andy Summers | Other/Special | Jay | L4 | Off | - | 22 | 36 | D6 | d6 | 23 | Slapback delay | Jun 20, 1997 |
| Bass-Like | Other/Special | Jay Gilliam | C2 | Ac | 1 | 9 | 15 | P1 | H1 | 28 | Jun 20, 1997 | |
| Carlos Santana | Solo | Glenn | C9 | LD | 20 | A4 | 23 | D2 | D4 | 20 | Dunno if its right | Jun 20, 1997 |
| Chorus / Compression | Rhythm | Dave Brown | C1 | Od | 25 | 5 | - | C2 | - | 20 | Jun 20, 1997 | |
| Chorus/Reverb | Clean | Mark Childs | Off | Off | - | 9 | 39 | C6 | H6 | 20 | Jun 20, 1997 | |
| Clean Delay:Ragged on Chords | Solo | Mark Childs | - | Ry | 5 | A9 | 39 | D9 | H7 | 20 | Jun 20, 1997 | |
| Dropped D Distort | Solo | Ewing | L9 | Fu | 14 | 4 | - | - | - | 21 | "They Might be Giants" | Jun 20, 1997 |
| Eddie Van Halen | Solo | Jay | C2 | DT | 30 | 4 | 16 | C4 | Off | 21 | Try it with MOD=C2 as well | Jun 20, 1997 |
| Joe Satriani | Solo | Erik Nett | C3 | Dt | 25 | A1 | 43 | C3 | d5 | 20 | If you prefer reverb over delay try the h7 setting. | Jun 20, 1997 |
| Lead overdrive w/limit | Solo | Dave Brown | L1 | LD | 30 | 7 | 24 | - | - | 20 | Jun 20, 1997 |