| Patch Name | Description | Submitted By | COMP | DIST | GAIN | ZNR | EQ | MOD | DEL | LEV | Notes | Date |
| SRV for les paul | makes gibson sound like SRV type strat | Dave Chown | p9 | od | 17 | a4 | 9 | of | r5 | 20 | Best to use neck PU. If level gets up to high you get lots of FBack | Dec 28, 1997 |
| Tool's - Ænema Tone | Other/Special | Paul Craig steve.craig@m130.aone.net.au | oF | Mt | 30 | 1 | 37 | oF | H2 | 30 | Good for the song Ænema by Tool. Put Treble and Middle high and bass low. E-mail suggestions or comments to steve.craig@m130.aone.net.au | Dec 27, 1997 |
| Zoft Rock | A great rocksound for your 4x12 stack. | Levik; http://hem2.passagen.se/levik | C3 | RY | 18 | 7 | 6 | H1 | 28 | Needs Celestion!? | Dec 21, 1997 | |
| Nirvana-Unplugged | warm acoustic | formaldehyde | oF | Ac | 30 | 9 | 25 | C2 | H1 | 20 | good for almost all nirvana unplugged songs. for CAYA, turn up the chorus to 8. | Dec 19, 1997 |
| Page-esque lead tone | solo | No Quarter | p9 | Od | 15 | 1 | 25 | oF | h9 | 24 | sounds good on my double humbucker guitar (use the bridge pickup) You can turn up the level, but it can get a bit too shrill. The comp/wah setting is just like setting a normal wah as a filter | Dec 19, 1997 |
| U2 "Love is blindness" LIVE | Love is Blindness Solo #2 | Tiago Jeronimo -Abrantes-PORTUGAL | P1 | Fu | 30 | OF | 4 | D2 | H1 | 28 | It's incredible what ZOOM 505 can do!! | Dec 18, 1997 |
| Marilyn Manson POAAF Sound | Sound Get Your Gun and Cake and Sodomy | Bobby - axegrinder@rocketmail.com | C7 | Fu | 22-25 | 8 | 13 | OFF | OFF | 25 | Might Talor EQ to your amp type | Dec 15, 1997 |
| Metallica - One | Intro to "One" by Metallica (not solo) | storm@vci.net | C2 | OF | -- | 5 | 31 | C4 | OF | 25 | Very close to the "One" intro, just after the gunfire and war sounds. Please comment to storm@vci.net | Dec 15, 1997 |
| Metallica - One (solo) | Solo (just after and during intro) | storm@vci.net | OF | RY | 5 | 6 | 30 | OF | OF | 20 | This needs a little work, but is as close as I can get. This is for the solo that is going on just after and during the intro. Please comment to storm@vci.net. | Dec 15, 1997 |
| Distortion | scooped mids good For justice | Tom Minnick | C1 | DT | 30 | A9 | 9 | OF | H4 | 20 | This Is great for getting that justice Tone on your amp turn mids off and lows up and highs up to about 2.5 | Dec 13, 1997 |
| Chris Isaak (Wicked Game) | Clean | Karl Rose | L6 | OFF | OFF | 6 | 46 | C5 | D7 | 27 | Dec 05, 1997 | |
| No Doubt (Just A Girl Intro) | Rhythm | Karl Rose | A2 | Ld | 22 | 5 | 24 | C3 | H1 | 23 | Dec 05, 1997 | |
| Pantera | Rhythm | Dane - chris.pollock@m130.aone.net | P9 | Dt | 30 | Of | 46 | Of | Of | 25 | Rhythm and Solo for Pantera as used in Vulgar album | Dec 05, 1997 |
| Smoke On The Water | Rhythm | Karl Rose | L2 | OD | 17 | 5 | 23 | d3 | Off | 23 | Play this loud in your local music shop, they'll love you!! | Dec 05, 1997 |
| Rush - Alex Lifeson "Dreamline" | Other/Special | duplessis@uti.com | C7 | dt | 8 | oF | oF | oF | d8 | 28 | This is a nice compressed delay for the intro. Works O.K. for the solo as well. | Dec 02, 1997 |
| Rush - Alex Lifeson "Fly By Night" | Rhythm | duplessis@uti.com | L8 | Od | 10 | A8 | 34 | C3 | H3 | 28 | Play this one on the bridge pickup | Dec 02, 1997 |
| Low end chunky thick fuzz | Rhythm | James Bischoff@Merck.com | C7 | FU | 25 | 8 | 45 | Of | Of | 25 | This is a really thick fuzz. I use it for Siamese Dream like Pumpkin stuff. Play it through a clean signal on your amp, and turn the bass on your amp all the way up, and leave the treble and mids at half. | Nov 29, 1997 |
| The bitch SMACKER | Rhythm | Jimmy Freak Face | C9 | Fuzz | 25 | no | 7 | D1 | NO | 10000 | If you like the prodigy ( and I know you crazy Americans do) then play this bastardo with the riff out of firesterater! | Nov 25, 1997 |
| bright equalizer | Rhythm | Jon B (Iamnotmean@aol.com) | - | - | - | - | 35 | - | - | ----- | pretty basic but helps | Nov 24, 1997 |
| clean solo | Solo | JOn B (Iamnotmean@aol.com) | C5 | - | - | 9 | 45 | D9 | H9 | ----- | very cool on the high strings! | Nov 24, 1997 |
| clean verb | Clean | Jon Be (Iamnot@aol.com) | A3 | - | - | 2 | 35 | - | R9 | ----- | Nov 24, 1997 | |
| good acoustic | Clean | Jon B (Iamnotmean@aol.com) | - | ac | 30 | - | 48 | - | - | ----- | realistic acoustic-well almost, soundsa good for who and some pink floyd | Nov 24, 1997 |
| Jimi's wah | Solo | Jon B (Iamnotmean@aol.com) | A9 | OD | 24 | - | - | C3 | H9 | ----- | Nov 24, 1997 | |
| kickass acoustic | Other/Special | Jon B (iamnotmean@aol.com) | C9 | AC | 30 | 9 | 45 | C1 | H9 | ----- | Sounds good for all acoustic things, it is also very fun to play with, sometimes there might be fuzz, it still sounds good though | Nov 24, 1997 |
| nirvana poly/clone | Clean | Jon B (iamnotmean@aol.com) | - | - | - | - | 46 | C1 | H9 | good for teen sprit and scentless apprentice especially | Nov 24, 1997 | |
| thegroovething | Other/Special | Jon B (Iamnotmean@aol.com) | A9 | LD | 30 | A9 | P9 | F9 | D9 | ----- | this would uck in a song, but pretty cool to have come out of your amp, BE CAREFUL | Nov 24, 1997 |
| Turbo Swirl | Other/Special | Dan Young | L1 | dt | 30 | 9 | 23 | C5 | d1 | 30 | Very warm, thick distortion that is one of my fav's. I use it for A1, because it sounds great with flamin' leads and hard rawkin. | Nov 24, 1997 |
| sad guitar | Solo | Richard Pain. | c9 | od | 20/25 | a5 | of | pu | h9 | 20/25 | If someone can get a more weeping sound.could you postit please. | Nov 23, 1997 |
| Hank Marvin "Wonderful Land" | Solo | Chris Donnelly (NoelG01@AOL.com) | C9 | OFF | - | 1 | 25 | C4 | d4 | 29 | Hank Marvin patch for his song "Wonderful Land". Only works with Neck & Middle pickups | Nov 17, 1997 |
| Crystal Clean Sound | Clean | Jason Prince | off | off | - | off | 31 | off | r3 | 28 | For a more depper sound change the eq setting to 41 or more. The eq set down near 1 it's alot deeper, but to deep for me.The deeper sound is good for songs like lithium by Nirvana. | Nov 11, 1997 |
| Wild Wah for solos | Solo | Jason Prince | off | dist | 30 | 3 | 31 | C1 | 30 | I use this patch for my own music to create a wild sounding solo. It's good for fast grungy type solos with tremelo picking. If you hit the strings with different intensities eg. hard and soft, you can bring out the wah sound alot | Nov 11, 1997 |